Free Download at Here | by PNG and GIF Base"The New Extreme Experimental American Poetry & Arts" is my name for examples Found "Hidden in Plain Site/Sight/Cite" with which to re-connect the originary Military meaning of the "avant-garde" with an American "avant-garde" which most often functions in a Formal & Conceptual separation of "material words" from "material Worlds." In the first 20th Century avant-gardes, Italian Futurism militantly glorified "War, the world's hygiene" and Dada was militantly Anti-War and Anti-Art of societies producing War. The entirety of a culture and soceity of War were confronted by avant-gardes which examined War's effects in language and the media as it is used to control, corrupt and coerce civilians as well as soldiers. To echo Pierre Vidal-Nacquet, in what ways do Formal separations from a society's uses of Torture, Forgery, Internal Espionage & Eavesdropping, erosions of Civil & Human rights, erection of it own and support of others' "separation" Walls, threats of "Nuclear options," silence at censorships of Presses, Galleries, Museums, speakers, indicate an "allowance" of "concealment" and "deception" in the "degeneration" institutionalized by Torture? And in what ways can this be changed?